B707 Productions

Presents


Hollie's Dress

World Premiere

Hot Docs Documentary Festival 2020


Hollie's Dress

Watch on CBC Gem and CBC Short Docs

CBC Short Docs

CBC Gem


Filmmakers Essay

My first film about a girl making her first dress


IMDb

Hollie's Dress

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Download Media Package

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Synopsis


As 14-year-old Hollie sews her first dress with her mother, she faces the decision all Mennonite girls must make when they reach adulthood. Will she put on the dress and become a full member of the Mennonite church and assume her role as a mother, or will she leave the church behind to join the wider world?

01

SCREENING

02

TEAM

03

PRESS

04

CONTACT

At the market, as Hollie sorts through the fabrics to look for colours and patterns that appeal to her sensibilities, her voiceover reveals - with a certain trepidation - the life that she envisions for herself. 

At home, Hollie spreads out the fabric and pattern with her mother, to prepare for cutting of the shapes and panels that will form her first dress. Her mother Deborah recounts how she felt when grandma helped her cut and sew her first dress, and how she felt when she helped Hollie’s eldest sister cut and sew the sister’s first dress just a couple years ago - and now sister is already married.  Through the stories of three generations of women making their first dresses, mother passes to daughter the family values and community traditions that shape Hollie’s anticipation of her future roles as wife and mother.

TRAILER

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MY FIRST FILM ABOUT A GIRL

MAKING HER FIRST DRESS


Words and Photography by Annie Sakkab

When I first met Hollie three years ago, she was an energetic 11-year-old, running barefoot in the garden with a small white plate she used to help her mom harvest their home-grown beans. She knew that when she’d be a little older, she would have to make the decision to get married and assume her role as a mother, or get a job and find a career.

As a woman who grew up in Jordan’s patriarchal society, I wondered how the choices of the girls and young women back home differ from the girls and young women in the Mennonite community. How do we define freedom of choice?

And so this project began.

I asked Hollie’s mother, Deborah, if I could follow her daughter through to her teenage years to look at the elements around her that would eventually lead to the big decision she would have to make when she turns 16.

Hollie accepted.

During our time together, I asked her to show me her dolls. Typically, Mennonite girls get their last doll at age 12 to mark the end of their childhood. We walked together down the stairs to the basement and took out a box with a collection of tiny pants, jackets and tops that Hollie made over the years for her dolls. They were beautiful. Girls practice sewing from a young age because they know they will be sewing for themselves and families when they’re older.

When the time came for Hollie to make her first dress, we both knew this was a critical moment in her transition to a young woman.

Hollie and her family are Markham-Waterloo Mennonites. Unlike Old Order Mennonites in their neighbourhood, they split from that group in the late 1930s so they could drive cars and use electricity.

Traditionally, Mennonites live according to a strict interpretation of the Bible. Gender roles are clearly defined from a young age. Girls are taught how to quilt, cook, and clean. Boys are taught how to farm and drive tractors. Children are given their future identity from the day they are born. For the outsider, this social hierarchy is seen as patriarchal with limited choices. From within the Mennonite community, it is seen as having many choices with distinct roles and responsibilities that complement each other.

In my journey documenting Hollie, I’ve questioned my own identity where individuality and free-thinking are seen as a virtue. I’ve looked back at the choices I’ve made and wondered if they really my own or the result of the social and peer pressure around me.

How different is my life compared to Hollie’s? I see the life of many girls growing up in the Middle East. Is their life really better? They too are conditioned to be homemakers and mothers. How do they define their freedom of choice from their perspective?

As I was making the film of Hollie making her first dress, I asked her about the pressures that she faces now as a teenager.

“I want my dress to be just as nice as the others. I want it to fit properly. I want my hair to be neat.”

It is a very simple answer. They are certainly similar to the pressures I felt in my teenage years. Are her pressures less valid than mine because of the life they chose to live as Mennonites? Of course not.

Hollie is now a shy 14-year-old. She blushes when asked a question. Now that she’s out of school, she’s excited to start camping with her friends from church. She knows the day will come when she has to make her decision.

Hollie’s Dress is a peek into the life of this Mennonite girl. It’s a conversation between a mother and her daughter. Their relationship gives us a glimpse into a life less known.

1. SCREENING

World Premiere

Hot Docs Documentary Festival 2020


Hollie's Dress


Watch on CBC Gem and CBC Short Docs


CBC Short Docs

CBC Gem


Filmmakers Essay

My first film about a girl making her first dress


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2. TEAM

Annie Sakkab

Director/Writer/Producer/Cinematographer/Editor/Stills Photographer

Born and raised in Jordan, Annie Sakkab is a Palestinian-Canadian photojournalist and filmmaker based in Canada and the Middle East. Annie seeks to explore long-form visual storytelling with a focus on women's issues and social justice. In 2015, she won two awards for her video stories' Hearts of Feather' and 'To Be a Boy' from the News Photographers Association of Canada (NPAC). She also has the experience of working as video producer and filmmaker, since 2016, with United Nations High Commissioner for Refugees (UNHCR), developing short stories of Syrian refugees in both Jordan and Canada, giving her the ability to shoot, edit and cut to the heart of the story quickly. She is fluent in both English and Arabic. 

Paul Lee

Producer

Paul Lee specializes in producing first shorts and first feature films for new and emergent filmmakers, as well as human rights/social justice films, environmental films, women's films, gender issues films, LGBTQ films and Asian films ( https://www.imdb.com/name/nm0497997/ ). In addition to producing films, Paul also curates museum exhibitions and prepares programming for film festivals around the world. Paul also makes his own films: Berlin-premiered THICK LIPS THIN LIPS (1994, 200+ festivals, 9 awards), Sydney-premiered THESE SHOES WEREN'T MADE FOR WALKING (1995, 150 festivals, 6 awards), Berlin-premiered THE OFFERING (1999, 500+ festivals, 72 awards). Paul was educated at the University of Toronto (Hon.B.Sc., M.A., PhD) and York University (M.B.A., M.F.A.), and divides his time working in Hong Kong, San Francisco and Toronto. 

Amanda Ann-Min Wong

Sound Recordist

Amanda Ann-Min Wong is a sound artist, filmmaker, and musician. A graduate of Ryerson University's film program, her film "Swim Low" (2016) garnered a nomination for a Best Canadian Short at VAFF. She has recorded sound for over 17 short films, as well as other corporate, music, and fashion videos. She is also a sound designer and composer. In her spare time, Amanda loves rocking out with her queer East Asian band, cutsleeve, which debuted at 2018's Pride Toronto. Born in Singapore, she now lives in Toronto.

Vanessa Tignanelli

Additional Cinematography

Vanessa Tignanelli is a documentary photographer and videographer currently based in North Bay, Ontario, Canada. Her expertise lies in capturing the essence of a person, a place, a story. Combining her training in conceptual art, journalism and filmmaking gives her work a unique lens, and goes beyond the typical headshot to the more significant environmental portrait. She brings this to everything she documents, whether it be a personal family photoshoot or journalistic assignment. Vanessa's work has been recognized by the Royal Family, NPAC National Photographs of the Year Awards, Duke of Edinburgh Awards, and InFocus Photo Exhibit and Award. She is a graduate of the studio art program at University of Guelph and the photojournalism program at Loyalist College. Her work has appeared in publications such as The Globe and Mail, Bloomberg, VICE, Photographers Without Borders, PhotoEd Magazine, Play Magazine, and The Waterloo Region Record.

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3. PRESS

For sales enquiry please contact 

B707 Productions Inc.

Annie Sakkab

+1416 315 1760

annie [@] anniesakkab.com

Press links

CBC Watch exclusive first-run feature docs from the 2020 Hot Docs Festival at home on CBC

Yorkton Film Festival Hollie's Dress is nomitated for an award in the Children/Youth Production category

playbackonline.ca Hot Docs aims to honour filmmakers with 2020 selections

Yorkton Film Festival Golden Sheaf Awards presented for 2020

Independent Shorts Awards May 2020

PLAYBACK Magazine Hot Docs aims to honour filmmakers with 2020 selections

Now Toronto Hot Docs 2020 movies to premiere on CBC Gem

The Buzz Hot Docs at Home – documentary festival partners with CBC to bring screenings online

Sewcialists How Sewing and Religion Intersect: A Mennonite Story

4. CONTACT

Using Format